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June 26,
2003 Well, I wish the movie was in God's hands because then we mortals might not have screwed it up so bad. Gods and Generals is a character study that sees the characters from across a football field. We recognize the players, "Stonewall" Jackson, Robert E. Lee, General Picket, Col. Lawrence Chamberlain etc. but who cares, this isn't an intimate study of the men who fought the Civil War or their ideals, its an exhaustive re-enactment training video. I realize full well that I am not going to make many friends among Civil War buffs here. I can dismiss a bad war film but one that stretches on for 4 hours and 12 minutes is hell for those of us who don't live and breath the War Between the States. I am sure that buffs will love it. I'm sure that the character names that pop up over their shirt buttons will mean something to someone but to me they were just guys in historically accurate suits and the only way I could tell anyone apart was by various degrees of creative facial hair.
I was never sure that the characters really knew the true reason they were fighting. Instead of dealing with the issues the movie hurries the ideology along so we can get to the lengthy battle. After the movie's intermission the rest is filled with endless battle scenes in which men in blue uniforms shoot men in gray uniforms and vice versa. The battles are filmed competently well with lots of energy and a fair amount of bloodshed to keep under a PG-13 rating. But two hours of these scenes makes us feel that we're watching the war in real time. What bugs me most is that the movie presents the battles in glorious detail with the drive and energy of an action film, then during the moments when the guns die down the movie plays like a funeral procession. The movie's soundtrack is like listening to the music at a memorial service on an endless loop. I realize that the war was a sad, bloody affair but the movie has the aura that would fall over your house if your poodle got run over. That,
I suppose is to give the film its sanctimonious tone. Over and over again, the
movie congratulates itself on being so solemn. Especially shameless is the scene
near the beginning in which Jackson, his wife and their cook exchange a prayer
around the dinner table. Uh-huh. Jackson assures his black cook that the South
will free him. The look in the cook's eyes is probably more optimistic than it
should be. As he is telling his cook this, I'm thinking "Well Stoney, no
time like the present!" |
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